Oscar-winning Olympia Ducas, a veteran of the theater who rose to prominence late in her career in 1980 with a memorable turn in films such as “Monster” and “Steel Magnolias”, has died at the age of 89.
Docis, who also starred in “Look Who’s Talking” and “Mr.” “He died at his home in New York City.
“My dear sister, Olympia Ducas, passed away this morning in New York City,” wrote her brother Apollo, who confirmed her death on his Facebook page on Saturday. “After many months of good health, they are finally calm and with it [husband] Louis [Zorich]. The cause of death is yet to be determined.
The longtime stage actress performed on the wider stage in 1987 as Cher’s sardonic mother in Norman Joyson’s romantic classic “Monstert”. She was 56 when she starred in the Italian matrix fast Kastorini, whose widow’s daughter’s involvement in the love life and concerns about her own misguided husband led Ducas to the Academy for Supporting Actress, Golden Globe and BAFTA nominations. Award received.
“The funny thing is that people pass me by on the streets and shout at me from the movies: for ‘Monster Stick’, they say, ‘Your life is going to the toilet.’ Or say to ‘Father’, ‘How much is this pork?’ They say, ‘Do you know who you are?’ It’s really funny, “he told the Times in 1991.
Coincidentally, her famous toilet line was not in the script, but it was based on her mother’s experiences.
Through the 1988 Academy Awards and his cousin, the former Massachusetts Gov. Michael Ducas, the Ducas became a household name in 1988, winning the Democratic nomination in the 1988 presidential election. During the Oscar acceptance speech, she stumped him, saying, “Okay, Michael, let’s go!” He ended his remarks by chanting slogans. When he lifted his Oscar statue in the air like a stick.
“I felt like I had run the first leg of a very important race and now it’s time to hand the stick to Michael so he can run the second leg,” he wrote in his 2003 autobiography, Ask again: Life of development. ”
His cousin, George HW Bush, lost the election, but Dokakis’ cousin remained politically active. The actress, who worked 10 to 12 hours in the theater before her Oscar nomination, “cutting coupons and buying cheap jeans,” was a lifelong art patron and liberal activist who, for various reasons, especially women. Advocated for the rights of And the environment.
It was his philanthropy and legacy that earned him a place on the 2013 Hollywood Walk of Fame. The Greek American Foundation, which he has long supported, brought in the ڈالر 30,000 needed for the application. Additionally, he was approached to succeed in the new Verdalos escape 2002 film “My Big Fat Greek Wedding”, but was denied due to a schedule dispute, he told the Chicago Tribune in 2003. Told About the part. “
“I am just happy to be here. I know some Greeks feel contradictory about it. I didn’t grow up with these kinds of people. “They said.” This was not my Greek experience. “
Born on June 20, 1931, in Lloyd, Mass., Dokakis was the daughter of an immigrant from southern Greece. He and his brother Apollo grew up in New England as first-generation Greek Americans, which shaped his worldview. Adjacent to American culture, he said, was a lifelong process.
Ducas said the poster child for a badly “bad Greek daughter” encouraged her to “struggle to be authentic” and become an American without betraying her Greek heritage. The stage gave him a safe haven to do so.
“It was a place where there were extremes and I could take emotional and psychological risks there,” he said. It was also a place where I could be physical, sexual, and unnatural. This is where I feel most alive, “he wrote.
Dockies graduated from Boston University, where he earned a degree in physical therapy and a master’s in performing arts. She dreamed of having her own theater company (eventually having two) and touring Europe with classical performances.
“I could not become an actor to be famous or rich. I became an actor so I could play great parts.
She arrived in New York in late 1959, but found only racially charged parts, some of which were missing.
It would have been much easier to get a job in acting if my name was Day instead of Acting Off, but then I find this family name – my parents’ name – so sad. “Time,” he said.
Realizing that in order to get what she wanted, she would have to create things for herself, she turned to Broadway, where she stepped into The Spring Papers in 1962. Kept That same year, she married actor-producer Louis Zurich, who has three children on the Rose television show “Crazy About You.”
In 1963, she won the Obey Award for “A Man’s a Man” and two years later for “Bette and Boo’s Wedding”.
But the following year, it was her job to star Marlowe Thomas’ mother in the Broadway comedy “Social Security” that caught Jason’s eye. He said he played a role in “Monstert” for large sums of money, but considered it one of his lesser tasks.
“Of course all my attention was sweet, of course, but I was a little more confused about why it came to this place, and with this character, in my mind, I’m the greatest ever. There was no part. I played, “he said.
But after the success of “Monstert” and his cousin’s presidential race, the first-generation Greek-American finally accepted the honor, saying it did not deter him from living his life as a “hypnotized American.” Can come Success, he said, allowed him to resist racism, which had been “the work of time, the devil, forgiveness and forgiveness.”
Soon the parts that were offered became more stable and paid Very “It’s better,” he told the Times. In fact, with his name at the Oscar gold, his agent told him he’d get paid more for “Look Who’s Talking.” Ross’s classic 1989 film “Steel Magnolias” starred Shirley McLane, Julia Roberts, Sallyfield, Dolly Parton, and Daryl Hannah in a saloon in Louisiana. “If you can’t say anything good about someone, sit down with me,” the memorable Zingers claimed.
However, the nine-minded film star still devoted most of his time and resources to theater, working for more than 40 years and working on stage.
“As an actress, I have made choices that have guided me directly far off It’s about bringing fame and luck to acting, “he wrote.
He and Zurich founded Charles Playhouse in Boston and Total Theater in Montclair, NJ in the 1970s. They appeared together in several productions, and the Dockies worked tirelessly as actresses and producers.
He told the Times: “I didn’t want a chance to play the parts, I didn’t get a chance to play, I used what I understood about theater, I took responsibility and always had to make decisions. Didn’t wait for the ‘adults’.
But the theater business was unstable and they closed it in 1990 due to financial difficulties.
She also taught drama at New York University and occasionally worked with her former students. “There’s something like payment in this business,” he told the Globe and Mail of Canada in 2013. People resigned for me. If I can find a skill, I’ll go for it. “
In her film and television career, motherhood is very important. Ducaz was often cast in maternity roles that demanded wisdom and strength – “Look who’s talking” and “Look who’s talking,” and Ted Dennison’s smiling jurist in “Dad”. The mother portrays the domineering mother of Christie Eli.
Her television credits include the transgender drama “Tales of the City” (1993) and its sequel, which earned her an Emmy nomination. Locally, she appeared in 2011’s “Murder,” Morris Punch’s 1995 Dark Comedy. He made 12 lines in his language during the nearly two-hour journey but was suffering a lost defeat due to an elderly Tal.
Credit for her recent performances goes to “Away From Them” (2006), “In the Land of Women” (2007), “Dead” (2009), “Forgive Me,” (2013), and filmmaker Tham Fitzgerald. Includes three projects. These include “Sex and Violence” and a female drama, “Rose,” in which she portrays an 80-year-old Ukrainian Jew returning to his life.
“I like to make changes,” Docox told the Globe and Mail. “It’s the fun part of acting. It’s actually the easy part. But for the actors it’s getting harder and harder. You have to take a look, you have to be present, you have to look at the body like that. Is the enemy of change.
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The story was originally published in the Los Angeles Times.