Kerry Washington and Razor Weatherspon have played powerful women in film and television, but do not call their work “political.”
Women, who prepared and co-starred in the executive Small fires everywhereThe eight-episode Holo series, which aired in March, stemmed from women’s stereotypes and motherhood, in a Q&A session hosted by Knightley Portman.
In the series, based on Celest Ang’s 2017 novel, Whiterson plays Elena Richardson, a wealthy married mother of four in Shakir Heights, Ohio, who is the only mother who rents her home and the artist Maya Warren. , Who also works as Richardson’s maid. . But as the family gets closer, Richardson suspects Warren of hiding a dark secret. The show, in which both women also served as executive producers, received an Emmy nomination for the outstanding limited series and Washington was approved as the Leading Actress.
Both women have been successful in film and television production Big and small lies, Morning show And the coming Lucky girl alive, And for Washington American son And political documentaries Fighting.
Confirmation of a creative choice by both women is a diverse author’s room – worked on women from all different backgrounds, including mothers Small fires everywhere. “I think motherhood is a big equivalent.” “It doesn’t matter where you are in your life, status, class, racism. The feelings you feel about your children and the choices you make for them … are common to all of us. We will fight to the end for our children.
Witzer Spoon, 44, has three children: a daughter, Ava, 21, and a son, Deacon. Washington is joined by Namandi Asomogha, husband of 43-year-old son Caleb and 6-year-old daughter Isabel.
However, telling women’s stories is often misunderstood. “As a black woman, whenever I focus on the important things for myself as something that is backward, bringing my whole self to the table, it is seen as political, because I People are brought to light who are pushed, dark corners, “Washington explained, adding that representation is only in the mind.
“We can’t help but become political because our bodies are politicized in different ways,” Portman agreed.
“A woman’s perspective, or the story of a colorful woman, is a very different story from a man’s perspective,” added Witherspoon. “All three of us grew up in Hollywood in which the same 20 to 30 white men made movies over and over again … and it didn’t represent our hearts or minds, our journey like women, mothers. Like “representation,” she says, “makes better stories.”
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